Author:
Millie Yun Su- Assistant Professor (Education) in Singapore Management
University. Research topics on
innovation management, qualitative research, knowledge boundaries.
My
lesson learned from presenting “Relativity of power: How a low-power actor
transforms constraints into opportunity”
Presenting
“Relativity of power effect” comes with 3 challenges. First, the audience came from different
backgrounds, from psychology, social work, human resource management, to
finance and engineering. The audience
did not have much understanding of business strategy, bricolage, and
innovation. Second, the paper consists
of three stories where each story has subtle dynamics between high-power and
low-power actors. The challenge is not only to highlight the subtle dynamics, but also to keep the audience’s
interests without losing their attention.
Third, the concept behind the paper has a rich Chinese zen-like
philosophy, where a high-power actor’s dominance is also its vulnerability, and
thus brings forth the opportunity for the low-power actor to respond.
When LS, Sue and I discuss, we discuss the
concepts in Chinese. I often have to
translate our discussion into English for my own note-taking, and my
understanding of the framework is mixed in Chinese and English. Now the challenge is how do I smoothly
interpret and convey the nuance of Chinese philosophy in English for a
45-minute presentation?
These
challenges force me to adopt a presentation strategy that I will share as
followed.
Draw in your
audience with storytelling
Develop your script as if you are telling
the story to a three-year old. When I first started
to rehearse for the presentation, I had a tendency to follow the slides, but I
realized that following what is written on the slides makes me feel unnatural. I found myself more natural when I am telling
the story and use the story to illustrate our theory of power relativity.
Guide your audience on what to tune in
for in research findings. If you don’t tell your audience the key
points of your finding, they tend to “zoon out” in listening to your research
findings. Therefore, in the transition
from “Analytical analysis” and “Research finding,” I tell the audience that our
findings consist of 3 stories and each stories consist of 2 parts of our
framework, opportunity recognition and resource reconfiguration. That way, your audience knows what they
should pay attention to when you go through the finding.
Use analogy that
allows your audience to make the connection with your concept
Imprint an analogy to your audience early
on. In the very beginning of my presentation, I
described “Relativity of power” as a story of David and Goliath, so that my
audience can quickly have the imagery and make connections with it when I was
describing the concept. I also referred to this analogy throughout my
talk.
Draw parallel between the analogy and the
concept. Throughout the presentation, I used the David
and Goliath analogy to help my audience appreciate the subtlety of “opportunity
embedded in high-power actor’s vulnerability” and “role shifting to change
power dynamics”. For example, I
described how David had to kneel and climb up a rock to find ways to kill
Goliath to illustrate how the low-power actor had to shift its role to respond
to high-power actor. Draw parallel
between the analogy and the concept to help audience understand and appreciate
the subtlety of a complex concept.
Preempt the
questions and answer them in your talk
A few
days before my talk, LS asked me “why do we need ‘relativity of power effect’,
why can’t we just use SWOT analysis?” I
was already thinking about this question for days and worried that my audience
would also have the very same question. When
LS asked me the question, I realized that I should actively and preemptively
cover the question in my talk rather than waiting for the audience to
raise the question. I explained why we
used “vulnerability” rather than “weakness” in the SWOT analysis, and helped
the audience to connect how “vulnerability” is relevant to our framework.
In
short, presentation is an act of art and there is no short cut around it but rehearse
500 times (figuratively speaking), so that the audience believes that you own
the material. Being confidence and
comfortable in the material is the key to presentation.
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